At the heart of Sack’s technical work is the paradoxical flexibility of perspective and its relationship to infinity on a two-dimensional surface.
A personal visual code manifests itself in the synthesis of disparate architectural and symbolic forms, personally imagined and studied in travels around the world, from Etruscan ruins to Senegalese cities to East Coast suburban sprawl, from the ancient water villages of Shanghai to the petroglyphs of the Middle East to the recent, burgeoning buildings of Manhattan.
For Sack, an urban landscape becomes a poetic medium and a means of expressing and considering the labyrinthine relationships between the distant and the near, the foreign and the familiar.
Sack studied at Virginia Commonwealth University and currently resides just outside of Washington, D.C.